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备注：已完结
类型：电影
主演：蒂莎·法罗 伊恩·麦克库洛奇 理查德·约翰逊 阿尔·克里弗 Auret
导演：卢西奥·弗尔兹
语言：
年代：未知
简介：安妮•布外兹（Tisa Farrow 饰）的父亲驾船前往某小岛，但此后三个月音讯全无。某日，父亲的小船漂回纽约，船上空无一人。当警卫员检查船舱时，却遭到一个丧尸的袭击。记者彼得•怀斯特（Ian McCulloch 饰）对此事颇为好奇，他和安妮相约前往那座神秘小岛。 当他们到达目的地时，却惊奇地发现，当地伏都教的诅咒令人们染上一种怪病，且可使死人复活。但复活后的人只是嗜血如命的恐怖丧尸。他们在岛上遇见了莫纳德医生（Richard Johnson 饰），为了活命，三个人必须通力合作，找到治疗这种怪病的方法……
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备注：已完结
类型：电影
主演：梅根·福克斯 欧文·马肯 卡兰·马尔韦 杰克·罗斯 阿梅尔·艾米恩 S
导演：S.K.戴尔
语言：
年代：未知
简介：爱可以无私伟大，也可自私阴狠。性感迷人的艾玛（梅根·福克斯 Megan Fox 饰）拥有几近完美的人生。老公马克帅气多金，足以令艾玛的生活饮食无忧。而在此之外，艾玛还和老公的下属汤姆（阿梅尔·艾米恩 Aml Ameen 饰）发展成情人关系。游走两个男人之间的感觉虽然刺激，却无法长久。终于某一天，艾玛下定决心断掉和汤姆的这段感情。恰逢夫妻俩的结婚纪念日，马克为此精心筹备，极尽浪漫，仿佛一切无比美好。可是一觉醒来，艾玛发现马克用手铐铐住了两个人，并且在她面前自杀。原来她的出轨行为早就被马克发现，加上公司经营不善，马克便试图用这种方法惩罚艾玛并拖她下水。 慌乱的女人想方设法自救，结果发现所有的路都被马克堵死，而催命杀神也在赶来的路上……
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备注：已完结
类型：电影
主演：依莱姆·克里莫夫 Valentin Rasputin Stefaniy
导演：依莱姆·克里莫夫
语言：其它
年代：未知
简介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
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