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类型:电影
主演:汤姆·哈迪 本尼迪克特·康伯巴奇 George Anton Domin
导演:戴维·阿特伍德
语言:
年代:未知
简介:◎简介以扣人心弦的笔法诉说身兼小偷、人质狭持者、精神病与游民等多重身份的男子史都华一生的故事。除了描绘他前科累累、放荡不羈的鲜活人生,也藉此带出了英国下层社会有关暴力、毒品、监狱与犯罪等令人震撼的面貌,以极度真实而又几近残酷的写实手法,刻画出史都华失败潦倒的一生。但令人惊喜的是,作者与史都华都未以悲伤或自怜的口气来诉说哀伤的生命片段,反而能以充满趣味的口吻娓娓道来,使得整本书在浓鬱的哀愁中,却洋溢著活泼生动的韵律,是这部作品最奇特、也最具吸引力的地方。获奖:2008年英国电影学院奖提名最佳男演员
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类型:电影
主演:杰森·普雷斯利 安娜丽丝·巴索 凯莉·拉瑟福德 克里斯·威廉·马丁 J
导演:保罗·沙皮罗
语言:英语
年代:未知
简介:Based on the second book in the Casteel Series, Heaven has finally found the new life she always dreamed of with her newly discovered grandparents. Upon closer inspection, beauty and riches hide sinister secrets Heaven has tried desperately to rid herself of.
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类型:电影
主演:大卫·阿奎特 丹尼·A·阿贝卡瑟尔 P·J·伯恩 吉米-林·辛格勒 詹
导演:丹尼·A·阿贝卡瑟尔
语言:英语
年代:未知
简介:It is a story about the famed meeting m.77mi.cc of the heads of the Mafia in 1957 in upstate Apalachin, NY.
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类型:电影
主演:GeorgeMorris
导演:MarcFafard
语言:英语
年代:未知
简介:一个掌管着数亿资产的企业家热衷于某种冒险体育活动,这种舍身家性命不顾的行为令不少人大惑不解。攀登者的勇气来自强健的体格和娴熟的登山技巧,本片探讨“到底什么是胆量”。
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类型:电影
主演:Heinrich Hargesheimer Carlheinz Har
语言:其它
年代:未知
简介:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.